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This is the blog of Ian Rosales Casocot. Filipino writer. Sometime academic. Former backpacker. Twink bait. Hamster lover.

Email: icasocot(at)gmail.com

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Monday, June 15, 2009

entry arrow9:44 PM | Sagada Stills in a Floating World



By Marjorie Evasco



If with images If with words

I You

could catch

on photographic film on silk paper

a likeness

of You of me

in Sagada

I would have You would have

to sit a thousand years
with master of austere

Light Measure

Masferré Shikibu

To learn the process

of rendering of staining

Silence Sound



This remains one of my favorite poems by one of my favorite poets. I love the way the poem haunts me with its beautiful spaces, its echoes. [And yes, encoding all that html code for the spaces in between the texts was all so worth it...]

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entry arrow5:53 PM | A-Side|B-Side / And the Geek Shall Inherit the Earth Book Launch Today



The launching of Vlad Gonzales's A-Side/B-Side and Carljoe Javier's And the Geek Shall Inherit the Earth, both published by Milflores, will be part of the 55th Installment of Happy Mondays at Mag:net Cafe along Katipunan, Quezon City. The launch starts at 7:30 pm. Lots of readers, bands, drinking, and fun. Playing will be Nerdita, Los Chupacabraz, T.E.A.T.S., Goliath, and Ivan Theory. A notice from Butch Dalisay in the Philippine STAR: "Both Carljoe and Vlad were fellows at this year’s Baguio workshop, and both acquitted themselves handsomely with some very sharp prose — Carljoe in English and Vlad in Filipino — that also highlighted many of their generation’s preoccupations: chiefly among them, what Carljoe might call 'geek civilization,' that predominantly youthful mindset of those raised on computers, the Internet, Neil Gaiman, the X-Men, and the Eraserheads."

More about Vlad Gonzales's A-Side/B-Side here and Carljoe Javier's And the Geek Shall Inherit the Earth here.

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Sunday, June 14, 2009

entry arrow7:55 AM | The Cinnamon Peeler

By Michael Ondaatje



If I were a cinnamon peeler
I would ride your bed
and leave the yellow bark dust
on your pillow.

Your breasts and shoulders would reek
you could never walk through markets
without the profession of my fingers
floating over you. The blind would
stumble certain of whom they approached
though you might bathe
under rain gutters, monsoon.

Here on the upper thigh
at this smooth pasture
neighbor to your hair
or the crease
that cuts your back. This ankle.
You will be known among strangers
as the cinnamon peeler's wife.

I could hardly glance at you
before marriage
never touch you
-- your keen nosed mother, your rough brothers.
I buried my hands
in saffron, disguised them
over smoking tar,
helped the honey gatherers...

When we swam once
I touched you in water
and our bodies remained free,
you could hold me and be blind of smell.
You climbed the bank and said

            this is how you touch other women
the grasscutter's wife, the lime burner's daughter.
And you searched your arms
for the missing perfume.

                        and knew

            what good is it
to be the lime burner's daughter
left with no trace
as if not spoken to in an act of love
as if wounded without the pleasure of scar.

You touched
your belly to my hands
in the dry air and said
I am the cinnamon
peeler's wife. Smell me.


[Photo from the Lanka Library ]

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Saturday, June 13, 2009

entry arrow3:25 PM | Wet and Wild on Independence Day



Like most Night Outs that eventually mean something, this one started out as the paragon of boring. I was sick, and never really wanted to go out. Still, when The One I'm Dating told me he was going out with some friends, I told myself, Hey I can go out with some friends, too. So I texted Clee: "Take me out tonight." I got dressed. He soon came by 10 p.m., and off we went to the Independence Day Special at Hayahay, which was full, but I knew almost nobody. The band, on the other hand, was only mildly entertaining. A bottle of Red Horse made me soon forget everything.

"Where's everybody?" I asked.

"Maybe they're staying in because of the rain," he said.

"Or because they're sick from the flu," I said, fingering my still sore throat.

"Or gorging their belly with fiesta food in Sibulan."

"Or..."

"Or..."

We were bored out of our heads. And like most people who are bored by the Scene, but can't talk to each other over the loud music, we resorted to texting instead. A great Friday night this was turning out to be.

"What time do we go to El Camino?"

"What about now?"

"Let's finish this Red Horse first."

And we gulped down our beer, and headed straight to El Camino. The woman manning the ticket booth, ummm, bench only looked at us straight to our eyes, and said, "P100."

"What?" I said. "How come?"

"Because, for tonight, you can just go back and forth between El Cams and Barefoot," she said.

"What's in Barefoot."

I heard her say, "A rave party."

We went in. It was a Rain Party.

And by the time midnight came calling, the hundreds of bodies packed into the dance floor of the outdoors bar were all wet, and wild, and dancing soaked to our skin. I don't think anybody on that drenched dance floor was drunk at all -- the water from the sprinkler system the organizers have installed kinda sobered us up -- but that didn't stop most people from surrendering to wild abandon sans tipsy-tinged madness.

I must confess that I never thought I'd see the day when I'd get out of the doors of El Camino dripping like a wet seal. And off we all went to Qyosko, wet clothes and all, for some after-party chow.

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Friday, June 12, 2009

entry arrow8:37 PM | For Absence

For Mark


How an amputee must feel like: a swell
Of loneliness in the sudden absence of things
In the ordinary. Like air, like limbs, like love
Vastly remembered only because they’re ghosts.

But I breathe still, and I am able to walk. Tell me
Instead how to keep full this empty, sudden knowledge
Of distance. Between moments and motions, I catch
Myself grieving for the secret loss.

We can chart this phantom geography: there will
Always be goodbyes, just as much as death comes
For everything. Winds wilt, flowers die down, lovers
Embrace away to pursue songs in other shores.

This morning, where I stood to catch the last glimpse
Of the bus that took you away, the street asphalt
Turned greyer where my shadows fell. Later, going
Home, even the silence obeyed and embraced parting.

I tell myself that tonight I will break inner ground
Scavenging through the depths without tears.
Here is coffee, here is paper. I will wake through
The evening quiet to exhaust in words what I miss.

In the morning, when the dull ache will be dimmer,
My prayer is to wake to you, your side of bed still full.

In the end, we all still believe in fairy tales.




I found this poem in an old blog I don't use anymore, and it was dated 10 September 2005. Such a long time ago. And I remember now what made me write this: I had just said goodbye to Mark as he boarded the Ceres bus that would take him to his first job in Cebu. We were both conflicted. We both wanted him to stay, but it was paramount that he must also go. And all of a sudden, I realize now: how life comes most definitely in circles or cycles, each trough more dramatic than the last. But this is essential, most of all, for those we hold dear to our hearts: to learn to let go, and accept the beautiful loss.

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entry arrow2:00 PM | A Haven in the Sky

There is a new, wonderfully surprising place to do lunch (or merienda, if you feel like it) this side of Negros Oriental—a perfect hideaway only a few kilometers shy of Lake Balinsasayao.





It is something called Azalea, and I break no sweat when I say that this is a spot of such astonishing beauty you could eat ground stone for lunch, and not mind. (The food is perfectly fine, if you need to ask me.)

Nestled on a hillside, the place has a perfect view of Tañon Strait in one direction and far-off Cuernos de Negros in the other. Its unassuming roadside entrance—just a thatched archway with a signboard bearing the restaurant’s name—do not do much in advertising the surprise that springs at you once you’ve gone down a few steps, which soon leads you to such cozy affair.



Azalea may very well be the definition of lounging comfort. You come away from it feeling as if you have discovered a haven for both food love and peace of mind. That I speak in hyperbole is indicative of the place’s power—because how does exactly describe breathtaking without taking a leap into descriptive extremes? Azalea, as destination, comes close to perfection. But don’t take my word for it.




We came into Azalea on a lazy Sunday afternoon, last Mother’s Day, and the only sound we could hear was that of the nearby river, down below, coursing from the twin lakes of Balinsasayao into the distant sea.




“This is the only spot around here where one has the sight—and sound—of the river,” Baby Armogeña, who owns the place, told me. I sat with her in one of the lacquer-black tables, near the terrace. She had come out of the kitchen with her signature bob hair, wearing a brown ensemble, to accommodate us.

When one looks around Azalea, every nook and cranny springs with intricate detail: a latticework in bamboo crowns the ceiling; walls and walls of glass invite the generous sunshine in; Japanese lanterns anchor Azalea’s atmosphere into a perfect grid, and gives the bamboo and wood and concrete structure a certain brand of softness; a small hillside garden shares boundaries of perfectly arranged slate and stone; objets d’art of fascinating kookiness lend the place a warmth that balances the cool brightness that pervades it. Everything about Azalea tells me that, like God, beauty is in the details.

But the thing that most fascinates is the view—and it is all-encompassing. I was talking to Baby at past four in the afternoon, and from where we were sitting, I could see the white beaches of nearby Cebu island. (That must be Santander town over there.) Below, there is the valley that contains the stretch of San Jose to Amlan. In the hazy distance, there is Bohol, which is a faint outline in the horizon. Then there is the blue, and sometimes there is no telling exactly what part is sea and what part is sky—the only clear demarcations seem to be the rush of surf that peters off into the horizon and the ferries that crisscross the sea.

“How’d you ever find this place?” I asked her—simply because the idea, while not radical, may be entirely new for Dumaguete: build a restaurant up in the mountains, in a place that is, in local parlance, “tuluyuon,” and see if the people will come. (And it seems people are indeed coming, mostly from word-of-mouth.)

She shrugged a bit, with a hint of a smile that told me this place was a project of personal passion. The family, which owns South Seas Resort north of Dumaguete, has been in the business for the most part of the last quarter of a century, and Azalea has clearly benefited from that long experience in local hospitality—and cuisine. “Everything was God-given,” she finally said. Foresight also had something to do with it, because the unassuming hillside was just a thicket of ipil-ipil only a year before. But her husband Rene, also an architect, saw potential and told her the spot would be perfect for a restaurant. Thus, Azalea.

“Why Azalea?” I asked.

“I just loved the sound of it,” she said.

“It is all about the flower, right?” I asked.

“Yes,” she smiled, “but not exactly. I just like the sound of the name.”

The sound of the name.

What she said made me remember what I always tell my literature students about how poetry starts its magic with each keen reader willing to fall under its lyrical spell: with the sound of every word filling us with music which becomes meaning.



I don’t know when I would be back in Azalea again. One does need a car to get there, and the place closes every day at five in the afternoon. (And rightly so—because what is there to see when everything else is dark?) But it should be soon. Just because.

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entry arrow12:58 PM | Sita Sings the Blues



You have got to watch this truly groundbreaking animated film by Nina Paley, Sita Sings the Blues (official website here), which is a delightful postmodern mix of the Indian epic Ramayana, breakup stories, and the great singer Annette Henshaw singing the blues.



And because of copyright disputes over the music, it's totally available for free in YouTube. Here's the link for the first clip.

Roger Ebert is ecstatic over it: "I began. I was enchanted. I was swept away. I was smiling from one end of the film to the other. It is astonishingly original. It brings together four entirely separate elements and combines them into a great whimsical chord."

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entry arrow11:21 AM | 7th Doreen Gamboa Fernandez Food Writing Contest

The topic this year is biskwit, traditional cookies that have been part of Philippine cuisine, nationally or locally, for at least 50 years. There are many types including pan de san nicolas, kamachile, uraro, roscas, biscocho principe, among many others. Modern products like today's chocolate chip cookies are not included.

English-language essays from 4,500 to 5,00 characters (800 words) will be judged by professional writers for content, research, and style. The judges' decision is final, and submissions become the property of Manila Ladies Branch of the International Wine & Food Society who manage the contest. Entries should be two pages, double-spaced on short bond paper. Submit 1 printed and 1 digital copy of the essay. For the digital copy use Word (doc.) or rich text file (rtf) on a CD. Deadlines for submissions is 31 August 2009, 5pm.

A contestant is allowed up to two entries, each with a different pen name as byline. Only post by special delivery or hand-deliver submissions. Each essay should be accompanied by an envelope inside which is the author's name, pen name, addresses/landlines (residential, business, school whichever are applicable; for the latter specify grade level, course), email address, cellphone and FAX numbers.

Prizes include gift certificates from bookstores, publishing houses and restaurants; magazine subscriptions; publication of winning entries in newspapers and magazines; and invitation to the awarding ceremony.

The contest is a tribute to the country's one time dean of Philippine food columnists, a major national and international catalyst for interest in Philippine cuisine, and founding Vice President of the contest's manager: The Manila Ladies Branch of the International Wine & Food Society.

Submit to:

Doreen Gamboa Fernandez Food Writing Award 2009
IWFS Manila Ladies Branch Awards Committee
PRISM, 5th floor, PDAF Bldg.,
Senator Gil Puyat Avenue, Makati City 1200

For inquiries and additional information contact Ms. Girlie Canlas at 890-9666 or dgfawards (at) yahoo (dot) com (dot) ph.

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entry arrow1:38 AM | Boiling a Frog



By Ellen Tordesillas

Gloria Arroyo is using the frog formula on the Filipino people in pushing for Charter change and it looks like it is working.

What’s the frog formula?

It is said that if you put a frog into a pot of boiling water, it will leap out right away to escape the danger because its survival instincts are geared toward detecting sudden changes.

But if you put a frog in a kettle that is filled with water that is cool and pleasant, and then you gradually heat the kettle, it will relish the warmth. Its tolerance level is high as long as it’s gradual. By the time it would realize the danger, it would be too late to jump out of the boiling water.

It would then be turned into a nilagang palaka.

Notice how Arroyo and her cohorts keep on saying that the 2010 elections will push through. Speaking at the formal merger of the two parties that supports her, Arroyo declared, “Cynics and detractors love to paint grim scenarios about a cancellation of the 2010 elections. Let this merger of Lakas and Kampi be tangible proof of the administration’s readiness, nay determination, to help ensure that the elections do push through.”

Interior Secretary Ronaldo Puno, the master election magician, and Gabriel Claudio never tire of talking about 2010 elections. That’s because they know that Filipinos love election.

The masses look forward to elections because it’s the only time that they become important to officials who ignore them once they are elected. It’s a fiesta complete with food, entertainment and money. It’s a safety valve in a highly stressed environment.

A Pulse Asia survey showed that 65 percent of Filipinos are convinced the May 2010 elections will be held as scheduled and believe that there will be much trouble in the country if the elections are not held.

So Arroyo will give Filipinos elections in 2010. The people will have their circus. But it doesn’t mean that the Constitution will not be changed.

Last Monday, with three days left before adjournment, the House committee on constitutional amendments convened an emergency session and approved a resolution to convene Congress, even without the participation of the Senate, into a constituent assembly to amend the Constitution.

The minority in the House led by Rep. Satur Ocampo thought that it succeeded in blocking the railroading of the con-ass resolution when it was sent back to the committee on constitutional amendments. He didn’t reckon with P20 million each incentive promised by Arroyo for the passage of the con-Ass resolution.

The congressmen held an emergency session and approved the con-ass resolution. At 11:30 p.m. of June 2, 2009, the House approved the con-ass resolution.

At the meeting with the foreign correspondents recently, Puno confirmed that Arroyo did meet with the congressmen at the presidential suite of the Manila Hotel after the Lakas-Kampi merger last Thursday and talked about the con-ass resolution. But he denied the reported offer of P20 million each for those who would be voting for it.

Speaker Prospero Nograles, explaining the haste that they are pushing the con-ass resolution, said there are no marching orders from Malacañang. “It’s part of our agenda. We have to get this over with.”

As of this time, debates are ongoing. Voting will be in a while.

After the con-ass resolution, which excludes the Senate in the process of amending the Constitution, is passed, it is expected that someone would question it before the Supreme Court. Arroyo’s operators believe they have the numbers to distort the constitutional provision of three-fourths of Congress to amend the Constitution. Referendum will be in September and as declared by Arroyo, elections will be held in 2010.

It matters little if it will be for members of the parliament or officials in a presidential system. The main feature would be Gloria Arroyo stays in power forever.

We laugh at Arroyo’s “Palaka” (Partido ng Lakas at Kampi) but actually, they are the ones who are having the last laugh. They must be enjoying seeing us boiled in the waters of complacency.

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Thursday, June 11, 2009

entry arrow2:55 PM | Frankie and Tessie in the Clair de Lune



By Elizabeth Lolarga

Tuesday was one of those crazy-daisy days. But its staccato beat went andante when I ran into Frankie and Tessie Jose on the ground level of the Shangri-La Plaza. He had his cane. I had mine. He wore a transparent plastic eye patch over his right eye. The ever solicitous Tessie said, “Let's have coffee,” our code over the years for “Let’s catch up.”

The Joses have always been Frankie and Tessie to me. They never made me feel that I had to address them with honorifics like “Sir” or “Ma’am,” “Mister” or “Missus.” We met when I was a college sophomore who’d occasionally pop in uninvited at the top floor of their Solidaridad Book Shop in Ermita, Manila, whenever I read a newspaper announcement about a visiting writer. The first time I climbed the stairs to that floor was when a Russian poet blew into town. On the way to the book store’s literary soiree, Rolando Tinio, who accompanied the visitor in a car, rapidly did an on-the-spot translation from English to Filipino of the poet’s work. With hardly a rehearsal, Tinio read the poem feelingly as only a poem ought to be read.

Back to the Joses. Because Frankie and I were hobbling with our canes and a cataract had just been removed from his right eye, Tessie offered to join the Starbucks queue to get our orders—he for an espresso, me for regular. His first question was: “What have you been writing?” I rolled my eyes and said, “Potboilers here and there.” He smiled, saying, “No matter, you’re still writing, and that’s good.”

“Any new poetry?” Frankie asked as a waiter brought our orders. As I poured milk into my cup, I answered, “A few, all fits and false starts.”

He told me to get a copy of the latest Free Press magazine. He read a poem, he wasn’t sure of the poet, by a certain Sunico. “You must be referring to Rayvi,” I said. “Raul is the pianist, the dean of the UST College of Music.”


Frankie got the little jug of remaining warm milk and poured the contents of his espresso paper cup into the jug, then re-poured the new mixture back into the cup. He was sure it was Raul the pianist, not Ramon the poet-book designer, who wrote the poem. Frankie praised the poem's innate musicality. It was like reading something by W.H. Auden, he added.

He has always watched out for rhyme, including interior rhyme, meter, alliteration, assonance, etc., in the poems that he reads. He is frustrated with a retired Ateneo professor’s books of poetry. I played Devil’s Advocate, saying that the prof is a musicologist. I told Frankie of once dropping by the prof’s modest Quezon City apartment in the 1980s and hearing a Beethoven concerto playing full blast in his stereo.

“Nevertheless, he is tone deaf when it comes to his poems!” Frankie insisted.

He admires certain Filipino poets in English, prefacing his remarks with “But this is only as far as the boys are concerned.” Topping his list is Cirilo Bautista followed by Krip Yuson, Gemino Abad and “that fellow from Davao,” Frankie shook his head, trying to recall Ricky de Ungria’s name which I uttered.

“Don’t you read any of the guys who write in Filipino?” I asked.

Frankie’s answer was whenever he listened to Bienvenido Lumbera speak in Filipino, he would tell this other National Artist that he (Frankie) couldn’t understand him. “I tell Bien, how come when it’s Jun Cruz Reyes who’s talking, I get him? And Bien would only laugh.”

Frankie struggled with reading Lope K. Santos’ Banaag at Sikat but thoroughly enjoyed reading Lualhati Bautista’s Dekada ’70. He once asked a Liwayway editor in the ’60s or ’70s to compile the best short stories published in the magazine for a number of years, and he'd publish them.

Frankie was disappointed with the compilation submitted to him. “They all had O. Henry type of endings! Was that what Filipino writing was all about?” he asked. He continued, “You must remember, Babeth, that I arrived in Manila from the province in 1938 with no knowledge of Tagalog.” He learned his Tagalog along with way.

He hectored on other topics still close to literary shop talk until we drained our coffee. Tessie stepped out to buy load for her cell phone so she could call the driver. Before long, we said our goodbyes, and in my mind, as Frankie walked with his cane toward the waiting car, was a memory of him taking young reporter Babeth in a midnight spin in his sedan with him at the wheel singing along to the soundtrack of The King and I.

Photo of F. Sionil Jose by Julio Sambajon from Howie Severino’s blog

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Wednesday, June 10, 2009

entry arrow9:16 PM | Honestly...

... did we party too much last summer? Naah, for the past six months? Because everything suddenly feels like a giant hangover. But perhaps I've had a happy streak for much too long, and knowing manic depressive me, this is just my wonky psychology trying to balance out things. No, there's nothing wrong with anything. There is just a vague feeling of being lost, somehow... It's like I am inside a deep well, the water's up to my chin, but there is just no strength left in me to even begin crawling out of it. Suddenly I don't care for much of anything, not even simple joys, not even the prospect of love and all its distractions. I just want to crawl under the bed and sleep until the world is over.

Or maybe I'm just dehydrated.

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entry arrow5:53 PM | LitCritters Dumaguete Restart



This week

A Rose for Emily by William Faulkner
A Perfect Day for Bananafish by J.D. Salinger
New England Primer by Donald Hall
We Won't Cry Over This by Socorro Villanueva

The LitCritters is a reading and writing group based in Manila (moderated by Dean Francis Alfar) and Dumaguete. Every week, we read and discuss several pieces of short fiction from various genres from different writers with the goal of expanding our reading horizons, improving our ability to critique, and learning how to write from the good texts. In addition to speculative fiction, we read Philippine literature in English, as well as world literature.

The Dumaguete Group meets every Saturday at 9 a.m. in Gabby's Bistro.

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entry arrow10:02 AM | A "Thank You" Note

By Wieslawa Szymborska

There is much I owe
to those I do not love.

The relief in accepting
they are closer to another.

Joy that I am not
the wolf to their sheep.

My peace be with them
for with them I am free,
and this, love can neither give,
nor know how to take.

I don't wait for them
from window to door.
Almost as patient
as a sun dial,
I understand
what love does not understand.
I forgive
what love would never have forgiven.

Between rendezvous and letter
no eternity passes,
only a few days or weeks.

My trips with them always turn out well.
Concerts are heard.
Cathedrals are toured.
Landscapes are distinct.

And when seven rivers and mountains
come between us,
they are rivers and mountains
well known from any map.

It is thanks to them
that I live in three dimensions,
in a non-lyrical and non-rhetorical space,
with a shifting, thus real, horizon.

They don't even know
how much they carry in their empty hands.

"I don't owe them anything",
love would have said
on this open topic.

[thanks to rica]

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Tuesday, June 09, 2009

entry arrow11:02 AM | Librong Pangkultura sa Ikaw-75 Anibersaryo ng PCSO

[sent in by romulo baquiran jr.]

Bilang pagdiriwang sa ika-75 anibersaryo ng PCSO, nagtataguyod itong panggobyernong institusyon ng publikasyon ng isang coffeetable book na ilulunsad sa Setyembre 2009. Itatampok sa libro ang 75 awtor na magbibigay ng kontribusyong lathalain (feature), sanaysay, tula, kuwento, dula, at/o larawan. Kung magsusumite ng higit sa isang anyo, pipili lamang ang mga editor ng isa na mailalathala. Tatanggapin ang kontribusyon sa Ingles, Filipino, at iba pang wika sa Pilipinas.

Walang takdang tema ngunit hangga’t maaari ay maiugnay ang paksang susulatin sa kontribusyon ng Philippine Charity Sweepstakes Office sa mga pangkulturang penomenon sa karanasan ng mga Filipino. Hindi kailangang hayag ang kaugnayan ngunit mahalaga na malikhain ang presentasyon.

Para sa mga magsusulat ng lathalain at magbibigay na retrato, kailangang makipag-ugnayan sa mga koordineytor para sa iiskedyul na interbiyu at pagkuha ng larawan sa mga naging benepisaryo ng PCSO. Gagawin ito sa lalong madaling panahon.

Para sa lathalain, kuwento, at sanaysay, inaasahan na magbigay ang mga awtor ng 4-6 pahina ng double spaced, coupon bond size, Times Roman o Arial 12 points na manuskrito. Ito ay nasa 1,500 hanggang 2,500 salita. Maaaring magbigay ng 1 mahaba o 2 maikling tula. Para sa sa dula, dapat na tumagal lamang ito nang 10 minuto kung itatanghal o katumbas ng 5-8 pahina ng manuskrito.

Inaasahang matanggap ang mga kontribusyon sa email o CD bago ang
6 Hulyo 2009. Maaaring iemail ang mga ito sa donat.alvarez (at) gmail (dot) com, jbaquiran (at) gmail (dot) com, at bikeonthemoon8 (at) gmail (dot) com. O ipadala ang CD kay Joey Baquiran, UP Institute of Creative Writing, 2nd Flr, Faculty Center, UP Diliman, Quezon City.

Tatanggap ng kabayaran ang mga awtor ng mapipiling akda. Tagapamahala ng proyekto si Donat Alvarez, editor si Arnold M. Azurin, at kasamang editor sina Joey Baquiran at Luna Sicat-Cleto.

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entry arrow11:00 AM | Pockets of Small Pleasures

Fifth of Six Parts

[read part 1 here | part 2 here | part 3 here | part 4 here]

By the time we got back, it was almost nighttime, the full moon was already in full force, the shadows have fallen fast on Langub, and the interiors of the huddled nipa houses were now the brightness of fluorescent light. In the house that stood immediate guard over the docking entrance, the karaoke music had started ringing. It was a man singing, in a strange diction, Barbra Streisand’s “Woman in Love.” We smiled at the choice, and at the juxtaposition of music and the scene of full moon night in little village by the river.

“Do you think your father has caught enough fish good for sinugba today?” Edwin asked Tonton, as we prepared to disembark from his bangka.

Tonton said he was not sure. It was the full moon after all, he said, but his father will be back around 7 o’clock, and he would know by then if the day’s catch was paltry. Still, we arranged for a sinugba dinner that night by the beach. Or, if not the beach, then this karaoke bar. “Do what you can,” Edwin said, “I still hope for a good catch.”

It was a poor catch—but the dish of medium-sized fish was delicious in its grilled freshness. We ate with gusto, downing the rice and the fish with San Miguel Pale Pilsen and Sprite—and when we were buzzed enough for a little more frivolity, we sang. I sang “Minsan Lang Kitang Iibigin” and “Someone That I Used to Love,” and Edwin sang “Raindrops Keep Falling on My Head” and “Close to You.” We warbled with the melodic gusto of one who had no care in the world—we sang to our hearts content, knowing that in this small village far away from everything we knew, nobody knew we were wearing our hearts on our sleeves with these songs. That night, back in my private cottage, I arranged for a good massage, and afterwards quickly fell asleep, certain the world was a perfect place.

The following morning, we had arranged with Tonton to give us a tour to the other side of the cove, where the other mangrove was. He took us in his father’s pumpboat—and made quick beeline for the open Sulu Sea, and soon turned around towards the small islands offshore, which led to the mangroves. Here, the water was a little more brackish than the romantic mangroves of the day before—but there was no discounting its own personal stamp of natural beauty. The river we were on snaked inland for a few more minutes, and finally we docked at the dead end, to a pool where a swarm of small tambasakan hopped around in the shallows. From there, we trekked inland on a dirt path that led to a beautiful hill, which seemed like the very rooftop of this side of the world.

It was a religious experience being on top of that unnamed hill. Save for a small nipa house at one of the rugged edges, it was a clearing of carabao grass that gave us a 360 degree view of the distant mountains and the sea, a vantage point to see hidden valleys, rolling plains, secret farm houses, and pockets of banana forests. Deep in one gulf, I saw two men building a circular structure of bamboo in the middle of a banana patch. “What’s that?” I asked Tonton. “What are they doing?”

“They’re making charcoal.”

They leave me for a while as I took off my shirt to welcome all of the sun. I felt the delicious pricking of the heat on my skin soon working hard to make me brown. I wanted the tan—the very symbol of a summer well spent. That it was only the beginning of summer bode well for the rest of these days, indeed.

I went around the hill, taking in the view as the sound of Safri Duo’s “Adagio” and Chicane’s “No Ordinary Morning” from my iPod pipes in strikingly meditative music straight from my earphones. And there it was: a surging of slow epiphany. There was something about this hill that touched me quickly as a kind of spiritual fulfillment—as if I was meant to be here, at this moment, to realize that I have reached a crossroad in my life that I had prayed so hard to achieve. And it soon came to me that only a year ago, in the exact same month, I was also on top of another hill, in the mountains of Sagada, praying hard to the heavens for a change in my life.

And I realized right then and there, in this hill in Sipalay, that there was a God, and he had indeed answered my prayers. For there was only beautiful change, so much of it—and I was grateful.

It was with that sense that I soon joined Edwin and Tonton on our walk down the hill, back towards the river, back to our boat—to spend the rest of the morning hopping from one secret beach to another. And Langub was full of that: the long stretch of Sugar Beach aside, the place was a veritable treasure trove of unspoiled, gloriously undeveloped beaches—many pockets of it, secluded from each other and from the rest of the world by walls of coral rock, accessible only by boat riding in from Sulu Sea. Their sand was as fine and white as polvoron, and each site had a magnificent view of the sea and the small islands offshore.

“Wouldn’t it be nice to own one of these?” Edwin said.

“If I had one, I’d never leave it for the rest of my life,” I said, half-jokingly.

Because this place suddenly felt like home.

And the Holy Week rolls on, as it must. The beach does not become crazier as more people straggle in to Sugar Beach for the annual vacation ritual away from the sudden silence of cosmopolitan places. The arrivals are not a swarm—and the long stretch easily accommodates the number. Sugar Beach tantalizes still, and in most pockets of this long stretch, the usual comfortable quiet pervades. The days and nights remain virtually the same. But also emotionally different.

The grand adventures here are small-scale, and that is its beautiful irony: to appreciate moonlight or sunsets; or to take in the rhythm of rivers and the silent magnificence of mangroves; or to feel the fine sand crunching between our toes; or to listen to the breaking of surf on the shore; or to have bonfires and beer-laced talk and beauty pageants in a bayle… Such small things that we don’t—and can’t—do when we go back to our ordinary lives in the city: they are adventures for our kind.

Happiness is always an elusive thing. But for the seven days that I have been here, I have the best approximation of that, at the very least.

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Monday, June 08, 2009

entry arrow2:30 PM | Lazaro Francisco Becomes the Latest National Artist for Literature

The great Tagalog writer Lazaro Francisco (1898-1980) becomes the second novelist in that language to be proclaimed National Artist for Literature. He follows the lead of Amado Hernandez, and joins the company of fellow National Artists in creative writing, including Francisco Arcellana, Virgilio S. Almario, N.V.M. Gonzalez, Amado V. Hernandez, Nick Joaquin, F. Sionil Jose, Bienvenido Lumbera, Alejandro R. Roces, Carlos P. Romulo, Edith L. Tiempo, and Jose Garcia Villa. (Carlos Quirino won for Historical Literature.)

The rest of the new roster include painter Federico Aguilar Alcuaz, composer Ramon Santos, and the late filmmaker Manuel Conde. (See complete story by poet Lito Zulueta here.)

I was gunning for the inclusion of either poet and tireless anthologist Gemino Abad or the great Hiligaynon novelist Magdalena Jalandoni -- but according to inside sources, some of the Manila-centric "culturati" deliberating on the decision could not fathom the Hiligaynon sensibilities of Jalandoni, and one was said to be looking for "memorable" lines like "Call me Ishmael!" Ummm.

Here's something about Lazaro Francisco culled from the National Historical Institute website:

[Francisco was] born in Orani, Bataan on February 22, 1898... He acquired his college education at the Central Luzon Agricultural college and, later, through the International Correspondence School. In 1946, his essay "Tatsulok" won in the Commonwealth Literary Contest, and became the basis of his major social novels. As a writer, Francisco earned acclaim for Ilaw sa Hilaga, considered the best novel ever written in the first decade of the Third Philippine Republic. First published as Bayang Nagpapatiwakal (Suicidal Country), it deals mostly with the detriment of economic imperialism, colonial mentality, nationalism and agricultural backwardness. It was printed in book form. His other novels which likewise gained praise and awards were Maganda Pa Ang Daigdig, Sugat ng Alaala, Bago Lumubog Ang Araw, Ama, Binhi, Daluyong, and Sa Paanan ng Krus.

The nationalism of Francisco found its concrete expression in the Kapatiran ng mga Alagad ng Wikang Pilipino (KAWIKA), a nationwide organization which he himself established in 1958 to sustain and advocate the use of Tagalog (Filipino) as a national language. He himself wrote KAWIKA’s constitution and rules.

Francisco worked in the provincial government of Nueva Ecija as provincial assessor until he retired in 1963. As provincial assessor, he fought for the rights of small farmers. It was his idea to create an agency that would protect Filipino grain raisers and traders from the abuses of foreign businessmen. Thereafter, the National Rice and Corn Corporation (NARIC) was strengthened by President Marcos and renamed National Grains Authority (NGA), during martial law. In recognition of his active nationalism and his salutary contributions to Philippine culture and literature, he was conferred the following awards: Republic Cultural Heritage Award (1970), Patnubay ng Kalinangan from the City of Manila (1975), Dangal ng Lahi, Lungsod ng Quezon (1976), Tanglaw ng Lahi from Ateneo de Manila (1979), Presidential Award of Merit for Literature, and Gawad Plaridel and Pingkain Award, both from the Bayanihan Foundation.

Francisco died on June 17, 1980 at the age of 82.

Maybe it's time to crack open that dusty copy of Ilaw sa Hilaga somewhere. But, really, no Magdalena Jalandoni? Sheesh.

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Sunday, June 07, 2009

entry arrow10:16 AM | A Moment With Mom E.



By Padmapani Perez

Tito Krip arranged for the both of us to visit Mom E. before his flight back to Manila last Sunday. It was mother's day. I wasn't sure whether she would remember me.

The beginning was awkward. I told her that I was in the writer's workshop in 1993. Tito Krip told her I was my father's daughter. She turned to me and said kindly, "Your father I know."

We made small talk and eventually (inevitably) the conversation led to poetry.

Mom E said, "It's harder to write short poems, because you have to be precise."

Feeling emboldened by this (most of my poems are short), I hesitantly asked her whether I could show her a poem. Mom E's eyes lit up and she said "Yes, of course!"

I was so happy. Now we both knew why I had come.

I showed her my draft of Invisible Light, on which I had crossed out words and scribbled changes and crossed them out again.

"Oh good," she said. "It's a short one. Good." She nodded approvingly. She asked Helen for her eyeglasses.

I waited with bated breath. She read slowly, deliberately.

The poem begins:

I cannot explain to people
how it is to have you gone.

I can only think of how
the harsh light of harvest moon
tugged you away from me
and then the tides pulled me under.

But even that I cannot explain...


She read it twice, slowly, silently. And then she firmly planted her finger on the poem's weakness.

"But who is the 'you' in the poem?" she asked me.

"My baby," I said. "I lost a baby. Miscarriage."

"Oh. When?"

"In January."

"Oh."

She put her hand on my knee. She turned to the poem again and read it slowly to herself a third time. She pointed to the fourth stanza.

"See this is the only clue that this is about a baby born prematurely."

I can only think of how
the night we brought you home
it mattered that we wrapped you tightly
in a blanket and the candle we lit
beside you seemed to need us
to keep it burning as you
might have needed us
had you not been born
before your time.

But even that I cannot explain.


"You need to make it clear that this is about your baby. You need to let us know. Then the poem will be stronger."

"I will make it clearer, then." I said, promising myself as much as I promised her, for she didn't need me to do this for her but she knew that my poem needed me to do this for it.

Pointing to the last stanza, which was messy with various attempted revisions, she frowned slightly.

"Again, please?"

I read it aloud to her.

I can only think of how
the stars surely still hang in the sky
even in the unforgiving light of the
noontime sun.


"Ah!" she smiled with what I thought (hoped) was pleasure.

"You know," she continued. "I lost two babies in the war years. Now God is asking me to understand. I was so sad that it took another eleven years before we had a child. It was so painful to lose those two in the forest during the war. But God has his ways and now he asks me to understand. I was being prepared to be a mother to many."



Mom E had started a poem about the loss of her babies.

"Something about the forest, a stranger," she paused and reached into the past. "There is a stranger in the forest. Something like that."

But, she said, she never finished it. She told me her daughter Rowena kept asking about it and Mom E said to her, "Sweetheart, there are certain things that simply cannot be completed."

When it was time to go, I hugged Mom E and told her I was so happy to see her. She took both my hands in hers and squeezing them tightly she leaned forward so that we were looking into each others eyes, and Mom E said, "No, it's good to KNOW you."

I left with a lump in my throat.

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Wednesday, June 03, 2009

entry arrow2:54 PM | Remember These Morons

[reposted from The Filipino Writer]

Read the list of congressmen here who signed House Resolution No. 1109. (Those who voted “Aye” may not have signed this HR 1109.) Feel free to copy and paste this list to your blog post or Facebook note or other social media sites and state “I am ashamed of my Congressman (enter name if applicable, district) for supporting HR1109.”

National Capital Region

Vincent P. Crisologo, Quezon City
Matias V. Defensor, Jr., Quezon City
Mary Ann L. Susano, Quezon City
Nanette Castelo-Daza, Quezon City
Bienvenido M. Abante Jr., Manila
Jaime C. Lopez, Manila
Maria Zenaida B. Angping, Manila
Maria Theresa B. David, Manila
Amado S. Bagatsing, Manila
Daniel R. De Guzman, Marikina City
Marcelino R. Teodoro, Marikina City
Eduardo C. Zialcita, Parañaque City
Henry M. Dueñas, Jr., Taguig
Alvin S. Sandoval, Malabon City-Navotas City
Jose Antonio F. Roxas, Pasay City
Oscar G. Malapitan, Caloocan City
Mary Mitzi L. Cajayon, Caloocan City
Roman T. Romulo, Pasig City
Rexlon T. Gatchalian, Valenzuela City
Magtanggol T. Gunigundo I, Valenzuela City

Cordillera Administrative Region

Manuel S. Agyao, Kalinga
Elias C. Bulut, Jr., Apayao
Mauricio G. Domogan, Baguio City
Samuel M. Dangwa, Benguet
Solomon R. Chungalao, Ifugao

Ilocos Region

Thomas M. Dumpit Jr., La Union
Victor Franciso C. Ortega, La Union
Arthur F. Celeste, Pangasinan
Conrado M. Estrella III, Pangasinan
Marcos O. Cojuangco, Pangasinan
Victor F. Agbayani, Pangasinan
Ma. Rachel J. Arenas, Pangasinan
Eric D. Singson, Ilocos Sur
Ronald V. Singson, Ilocos Sur
Roque R. Ablan, Jr., Ilocos Norte
Cecilia S. Luna], Abra

Cagayan Valley

Florencio L. Vargas, Cagayan
Manuel N. Mamba, Cagayan
Junie E. Qua, Quirino
Carlo Oliver D. Diasnes, Batanes
Rodolfo T. Albano, Isabela
Edwin C. Uy, Isabela

Central Luzon

Jose V. Yap, Tarlac
Jeci A. Lapus, Tarlac
Monica Louise Prieto-Teodoro, Tarlac
Lorna C. Silverio, Bulacan
Pedro M. Pancho, Bulacan
Reylina G. Nicolas, Bulacan
Ma. Victoria Sy-Alvarado, Bulacan
Arturo C. Robes, San Jose del Monte City
Albert C. Garcia, Bataan
Herminia B. Roman, Bataan
Joseph Gilbert F. Violago, Nueva Ecija
Ma. Milagros H. Magsaysay, Zambales
Antonio M. Diaz, Zambales
Aurelio D. Gonzales, Jr., Pampanga
Juan Miguel M. Arroyo, Pampanga
Anna York P. Bondoc, Pampanga
Carmelo F. Lazatin, Pampanga

CALABARZON

Danilo E. Suarez, Quezon
Wilfrido Mark C. Enverga, Quezon
Michael John R. Duavit, Rizal
Adeline Rodriguez-Zaldarriaga, Rizal
Angelito C. Gatlabayan, Antipolo City
Roberto V. Puno, Antipolo City
Eileen Ermita-Buhain, Batangas
Mark Llandro L. Mendoza, Batangas
Victoria H. Reyes, Batangas
Jesus Crispin C. Remulla, Cavite
Elpidio F. Barzaga, Jr., Cavite
Maria Evita R. Arago, Laguna
Edgar S. San Luis, Laguna

MIMAROPA

Antonio C. Alvarez, Palawan
Carmencita O. Reyes, Marinduque
Eleandro Jesus F. Madrona, Romblon
Ma. Amelita C. Villarosa, Occidental Mindoro
Rodolfo G. Valencia, Oriental Mindoro

Bicol Region

Rizalina Seachon-Lanete, Masbate
Narciso R. Bravo, Jr., Masbate
Antonio T. Kho, Masbate
Al Francis C. Bichara, Albay
Reno G. Lim, Albay
Luis R. Villafuerte, Camarines Sur
Felix R. Alfelor, Jr., Camarines Sur
Diosdado Ignacio Jose Maria Macapagal-Arroyo, Camarines Sur
Joseph A. Santiago, Catanduanes
Jose G. Solis, Sorsogon

Western Visayas

Florencio T. Miraflores, Aklan
Genaro M. Alvarez, Jr., Negros Occidental
Jeffrey P. Ferrer, Negros Occidental
Ignacio T. Arroyo, Jr., Negros Occidental
Jose Carlos V. Lacson, Negros Occidental
Alfredo D. Marañon III, Negros Occidental
Raul T. Gonzalez, Jr., Iloilo City
Niel C. Tupas, Jr., Iloilo
Ferjenel G. Biron, Iloilo
Arthur Defensor, Sr., Iloilo
Judy J. Syjuco, Iloilo
Janette L. Garin, Iloilo
Joaquin Carlos Rahman A. Nava, Guimaras
Fredenil H. Castro, Capiz

Central Visayas

Roberto C. Cajes, Bohol
Edgardo M. Chatto, Bohol
Pryde Henry A. Teves, Negros Oriental
Pablo P. Garcia, Cebu
Pablo John F. Garcia, Cebu
Ramon H. Durano VI, Cebu
Nerissa Corazon Soon-Ruiz, Cebu
Benhur L. Salimbangon, Cebu
Eduardo R. Gullas, Cebu
Antonio V. Cuenco, Cebu City
Raul V. Del Mar, Cebu City

Eastern Visayas

Roger G. Mercado, Southern Leyte
Eufrocino M. Codilla, Sr., Leyte
Carmen L. Cari, Leyte
Andres D. Salvacion Jr., Leyte
Trinidad G. Apostol, Leyte
Ferdinand Martin G. Romualdez, Leyte
Reynaldo S. Uy, Samar
Sharee Ann T. Tan, Samar
Teodolo M. Coquilla, Eastern Samar
Paul R. Daza, Northern Samar
Emil L. Ong, Northern Samar
Glenn A. Chong, Biliran

Zamboanga Peninsula

Rosendo S. Labadlabad, Zamboanga del Norte
Cecilia G. Jalosjos-Carreon, Zamboanga del Norte
Cesar G. Jalosjos, Zamboanga del Norte
Victor J. Yu, Zamboanga del Sur
Antonio H. Cerilles, Zamboanga del Sur
Dulce Ann K. Hofer, Zamboanga Sibugay

Northern Mindanao

Vicente F. Belmonte, Jr., Lanao del Norte
Abdullah D. Dimaporo, Lanao del Norte
Rolando A. Uy, Cagayan de Oro City
Marina P. Clarete, Misamis Occidental
Herminia M. Ramiro, Misamis Occidental
Yevgeny Vicente B. Emano, Misamis Oriental
Pedro P. Romualdo, Camiguin
Candido P. Pancrudo Jr., Bukidnon

Davao Region

Franklin P. Bautista, Davao del Sur
Marc Douglas C. Cagas IV, Davao del Sur
Arrel R. Olaño, Davao del Norte
Antonio F. Lagdameo, Jr., Davao del Norte
Isidro T. Ungab, Davao City
Vincent J. Garcia, Davao City
Prospero Nograles, Davao City
Thelma Z. Almario, Davao Oriental
Nelson L. Dayanghirang, Davao Oriental
Rommel C. Amatong, Compostela Valley
Manuel E. Zamora, Compostela Valley

SOCCSKSARGEN

Datu Pax S. Mangudadatu, Sultan Kudarat
Arnulfo F. Go, Sultan Kudarat
Emmylou Taliño-Mendoza, Cotabato
Bernardo F. Piñol, Jr., Cotabato

CARAGA Region

Glenda B. Ecleo, Dinagat Islands
Philip A. Pichay, Surigao del Sur
Florencio C. Garay, Surigao del Sur
Francisco T. Matugas, Surigao del Norte
Guillermo A. Romarate, Jr., Surigao del Norte
Edelmiro A. Amante, Agusan del Norte
Jose S. Aquino II, Agusan del Norte

Autonomous Region in Muslim Mindanao

Pangalian M. Balindong, Lanao del Sur
Faysah Omaira M. Dumarpa, Lanao del Sur
Yusop H. Jikiri, Sulu
Munir M. Arbison, Sulu
Simeon Datumanong, Maguindanao
Nur G. Jaafar, Tawi-Tawi

Party- Lists

Narciso D. Santiago III, Alliance for Rural Concerns
Edgar L. Valdez, Association of Philippine Electric Cooperatives
Ernesto C. Pablo, Association of Philippine Electric Cooperatives
Robert Raymund M. Estrella, Abono
Nicanor M. Briones, Agricultural Sector Alliance of the Philippines, Inc.

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entry arrow6:43 AM | Second National Conference on Children’s Literature

The Pilandokan (National Research Society for Children’s Literature) and the National Commission for Culture and the Arts will be sponsoring the Second National Conference on Children’s Literature with the theme “Panitikang Pambata sa Edukasyon” (Children’s Literature in Education) on July 16-17, 2009 at the Claro M. Recto Hall, Faculty Center, UP Diliman. The national conference will feature paper presentations and workshops by both established and young literary scholars, creative writers, artists, and children’s right advocates. Topics include Filipino concept of child and childhood, state of Philippine children’s literature, national identity, book piracy, children in television, children’s media, children and the social problems, literacy program for the urban poor children and the deaf, and the formation of Filipino childhood identity. Keynote speech will be delivered by renowned literary critic and Pilandokan Founding President Dr. Rosario Torres-Yu. For inquiries about the conference fees, contact Dr. Eugene Y. Evasco and/or Prof. Will P. Ortiz (pagongatmatsing@yahoo.com). You may also contact Prof. Jayson Petras (0922-8889662) or Ms. Pauline Hernando (0906-5839390).

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Monday, June 01, 2009

entry arrow9:09 AM | Sex and the Senate


By Lourd Ernest de Veyra

Manuel Quezon, Sergio Osmena, Manuel Roxas, Claro M. Recto, Eulogio Rodriguez, Lorenzo Tanada, Jose W. Diokno, Jovito Salonga, Benigno Aquino Jr. Throughout history the Philippine Senate has been the incandescent cradle of statesmen of towering intellects and oratorical intensity. Teofisto Guingona’s breathlessly elegant denunciation of Erap, “I Accuse,” was haunted by the spirit of Emile Zola. Decades earlier, Jose P. Laurel declared, “If I had to choose between my love of country and the church, my love of country comes first.”

On May 28, 2009, it’s just… “I even shouted ‘sizzling hot!’”

The Rizal Bill of 1956 drew great debates between intellectual heavyweights like Claro M. Recto and Francisco Rodrigo—both men of letters, in what was controversially viewed as conflict between the Catholic Church and the emerging nationalism. Ninoy Aquino exposed the 1968 Jabida Massacre, where the AFP exterminated at least 28 Moro recruits trained for covert military operations in Sabah.

In May 2009, Bong Revilla has the Hayden Kho-Katrina Halili sex video.

I also doubt “Ano’ng software ang ginamit mo?” would resound as one of Philippine history’s greatest speeches.

But since the Erap impeachment trial (some say as early as the 10th Congress), the Senate has stopped becoming the shining beacon of political nobility. Not since its members are voted into office not for their knowledge and virtue but through stupid jingles and celebrity endorsements. Once it was a fount of wisdom and patriotism. Now they’re just like those squirming little things you find under dead tree trunks after the rain.



This is not the first time the Senate has taken on a highly lurid controversy of absolutely zero political consequence. Remember the Brunei Beauties controversy back in the ’90s where Ruffa Gutierrez et al were summoned to an investigation? “In aid of the legislation” has become the most abused and misused phrase in modern Philippine politics. “Ano’ng software ang ginamit mo?” and “Saan mo nilagay ‘yung camera?”are not examples of questions with legislative intent either. What’s next, a bill proposing the ban of USB cables?

The 14th Congress of the Philippines has debased itself when it became the theater of a salaciously cheap psycho-sexual drama on May 28, 2009. It is bad enough that the past high-profile hearings simply went pfft. Citing the hitherto unresolved examples of ZTE, the Euro Generals, Jocjoc Bolante, the Legacy Group, by now we should have reached the conclusion that the Senate hall in the GSIS Building can serve the people better by being converted into a bowling alley.

Heading the investigation were three senators, two of whom are not known for their tact, two of whom are movie actors (one of them also not known for being a serial monogamist).

Towards Kho, Revilla was abrasive and judgmental, his thick eyebrows raised to intimidating angles. Jinggoy Estrada bullied Kho’s lawyer, Lorna Kapunan who was requesting that the hearing be made private. (In contrast, by characteristically keeping his mouth shut, Lito Lapid was a portrait of grace. But Lapid was not required in the panel. He is, after all, the so-called chairman of the Senate committee on silence.)

That the packed gallery—made up mostly of Senate employees—burst into applause when Estrada snarled “I demand the presence of Kho in this hearing!” ought to have been a clue already. All that was missing was the dancing seals, the jugglers, and the trapeze flyers, and they could start selling peanuts.

You can accuse it of anything but you can’t accuse it of not being gripping entertainment.

It has elements not even Robbie Tan and Mauro Gia Samonte would have imagined. Sex, drugs, illicit romance involving eye-pleasing celebrities, dirty accusations hurled, haughty interrogators squeezing their teary-eyed subjects for details, each one juicier than the next.

And each has no place for what is supposed to be an august body. That afternoon of May 28, 2009, Madrigal, Revilla, and Estrada—especially Estrada, for demanding a public inquiry—ceased to become honorable lawmakers. Instead they sank to the level of showbiz tabloid interviewers who merely stoked the flames of prurient interest. Where it used to be an intellectual battleground for issues that change the nation’s destiny, now it’s just a cesspool of gossip and smut. In the ’80s, Abner Afuang achieved a certain mythical status by going against a corrupt police department a la Serpico. He should not have simply poured water on Hayden’s head; he would’ve done the country a big favor by pouring gasoline and setting fire to the GSIS Building.

The bottom line is that the whole thing was an exercise in poor judgment and a total lack of propriety. In a sense, by rabidly denouncing the video in a privilege speech—Bong Revilla may have inadvertently sparked a bigger bushfire of interest in the videos, with no small help, of course, from a hyperventilating mass media. Our children’s morals and sense of values are in danger? Thanks to Revilla, your 5-year-old daughter now knows the meaning of the words “sex video” and “Ecstasy.” But that’s not before she asks you first over the breakfast table while you read the Inquirer’s front page. She is now aware that Ecstasy makes you do stupid things, like wear a bandanna and perform macho-dancer moves and mess up the lyrics to a Wham! classic.

But still, we can learn several important lessons from this whole sordid imbroglio:

• That one does not need video software to make films. Just a camera and a USB cable.
• That in a public discussion involving the subject of illicit sex, the phrase “hard drive” should be used with prudence. Lots of it. Especially by the perpetrator.
• Between an act of high-profile infidelity and a scandal video, people will forget that you’re a treacherous kabetching.
• That your humiliation simply does not end with the entire archipelago witnessing your coital habits. One day an ex-cop-turned-mayor-turned-tabloid columnist named Abner Afuang (portrated by Philip Salvador in an ’80s biopic) will walk up to your side and douse you with water. Although not quite Cherie Gil. More like those subliminally homoerotic Gatorade commercials. But a skeptical Bong Revilla will think the whole thing is scripted.
Thirty tablets of Valium might not kill you. Unless you’re bullshitting us.
• That when the whole world seems to conspire against you, only Mother will rush to your rescue. But she will blame Lolit Solis first. And that Mother can be inexplicably creepy on national television.
• That sex video scandals have the power to thankfully eclipse news items like Dona Dionisia Pacquiao’s ballroom-dancing debut.
• If you screw up big time, blame it on drugs. If you can’t blame drugs, blame it on your bad childhood. If you can’t blame your bad childhood, well…there’s always Mom.

Artwork by Warren Espejo.




[Read Patricia Evangelista's powerful "The Morality of Sen. Bong Revilla" in today's Philippine Daily Inquirer]

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